WITH OLGA FRÖBE-KAPTEYN AND DANIEL GONÇALVES
ANTENNA - Art as Transmission reimagines the exhibition space as a temple of attunement. Viewing is reframed as ritual, art as transmission and the viewer as receiver.
Bringing together the works of Portuguese artist Daniel Gonçalves and Dutch spiritualist Olga Fröbe-Kapteyn, the exhibition traces a shared commitment to image-making as a technology of alignment, where the image becomes a portal where psyche and cosmos converge. Across both practices, geometry functions as orientation. Circle, axis, ratio, and repetition are received as a visual codex that holds a unique frequency.
For the last decade, Gonçalves has maintained a rigorous nocturnal practice: seated in the same chair, always facing east, working with the same pen and compass. Without preparatory sketches or predetermined plans, intricate geometric worlds emerge through repetition and concentrated attention. These drawings are less composed than received as micro-universes
structured through devotion, precision, and restraint. Geometry becomes a regulatory force, a pursuit of equilibrium enacted line by line.
Between 1927 and 1934, Fröbe-Kapteyn produced her “meditation drawings” as finely rendered screenprints, developed alongside her founding of the Eranos research centre in Ascona, Switzerland, conceived as a site of exchange between Eastern and Western philosophical traditions. Encouraged by Carl Jung, she assembled visual artefacts dedicated to archetypal symbolism, later forming the Archive for Research in Archetypal Symbolism (ARAS). Her interlacing circles, axial
symmetries, and proportional systems, often guided by the golden ratio, were conceived as contemplative psychic diagrams:symbolic time capsules that act as liminal thresholds for altered states of consciousness.
EXHIBITION RITUAL
TAKE YOUR CUP OF HERBAL TEA
CHOOSE AN ARTWORK YOU ARE DRAWN TO
SIT BEFORE IT IN SILENCE
SIP YOUR TEA
BREATHE
RECEIVE THE TRANSMISSION
REPEAT AS DESIRED
ᛈ ᚦ ᛞ
ANTENNA - Art as Transmission reimagines the exhibition space as a temple of attunement. Viewing is reframed as ritual, art as transmission and the viewer as receiver.
Bringing together the works of Portuguese artist Daniel Gonçalves and Dutch spiritualist Olga Fröbe-Kapteyn, the exhibition traces a shared commitment to image-making as a technology of alignment, where the image becomes a portal where psyche and cosmos converge. Across both practices, geometry functions as orientation. Circle, axis, ratio, and repetition are received as a visual codex that holds a unique frequency.
For the last decade, Gonçalves has maintained a rigorous nocturnal practice: seated in the same chair, always facing east, working with the same pen and compass. Without preparatory sketches or predetermined plans, intricate geometric worlds emerge through repetition and concentrated attention. These drawings are less composed than received as micro-universes
structured through devotion, precision, and restraint. Geometry becomes a regulatory force, a pursuit of equilibrium enacted line by line.
Between 1927 and 1934, Fröbe-Kapteyn produced her “meditation drawings” as finely rendered screenprints, developed alongside her founding of the Eranos research centre in Ascona, Switzerland, conceived as a site of exchange between Eastern and Western philosophical traditions. Encouraged by Carl Jung, she assembled visual artefacts dedicated to archetypal symbolism, later forming the Archive for Research in Archetypal Symbolism (ARAS). Her interlacing circles, axial
symmetries, and proportional systems, often guided by the golden ratio, were conceived as contemplative psychic diagrams:symbolic time capsules that act as liminal thresholds for altered states of consciousness.
EXHIBITION RITUAL
TAKE YOUR CUP OF HERBAL TEA
CHOOSE AN ARTWORK YOU ARE DRAWN TO
SIT BEFORE IT IN SILENCE
SIP YOUR TEA
BREATHE
RECEIVE THE TRANSMISSION
REPEAT AS DESIRED
ᛈ ᚦ ᛞ
WITH OLGA FRÖBE-KAPTEYN AND DANIEL GONÇALVES
ANTENNA - Art as Transmission reimagines the exhibition space as a temple of attunement. Viewing is reframed as ritual, art as transmission and the viewer as receiver.
Bringing together the works of Portuguese artist Daniel Gonçalves and Dutch spiritualist Olga Fröbe-Kapteyn, the exhibition traces a shared commitment to image-making as a technology of alignment, where the image becomes a portal where psyche and cosmos converge. Across both practices, geometry functions as orientation. Circle, axis, ratio, and repetition are received as a visual codex that holds a unique frequency.
For the last decade, Gonçalves has maintained a rigorous nocturnal practice: seated in the same chair, always facing east, working with the same pen and compass. Without preparatory sketches or predetermined plans, intricate geometric worlds emerge through repetition and concentrated attention. These drawings are less composed than received as micro-universes
structured through devotion, precision, and restraint. Geometry becomes a regulatory force, a pursuit of equilibrium enacted line by line.
Between 1927 and 1934, Fröbe-Kapteyn produced her “meditation drawings” as finely rendered screenprints, developed alongside her founding of the Eranos research centre in Ascona, Switzerland, conceived as a site of exchange between Eastern and Western philosophical traditions. Encouraged by Carl Jung, she assembled visual artefacts dedicated to archetypal symbolism, later forming the Archive for Research in Archetypal Symbolism (ARAS). Her interlacing circles, axial
symmetries, and proportional systems, often guided by the golden ratio, were conceived as contemplative psychic diagrams:symbolic time capsules that act as liminal thresholds for altered states of consciousness.
EXHIBITION RITUAL
TAKE YOUR CUP OF HERBAL TEA
CHOOSE AN ARTWORK YOU ARE DRAWN TO
SIT BEFORE IT IN SILENCE
SIP YOUR TEA
BREATHE
RECEIVE THE TRANSMISSION
REPEAT AS DESIRED
ᛈ ᚦ ᛞ
ANTENNA - Art as Transmission reimagines the exhibition space as a temple of attunement. Viewing is reframed as ritual, art as transmission and the viewer as receiver.
Bringing together the works of Portuguese artist Daniel Gonçalves and Dutch spiritualist Olga Fröbe-Kapteyn, the exhibition traces a shared commitment to image-making as a technology of alignment, where the image becomes a portal where psyche and cosmos converge. Across both practices, geometry functions as orientation. Circle, axis, ratio, and repetition are received as a visual codex that holds a unique frequency.
For the last decade, Gonçalves has maintained a rigorous nocturnal practice: seated in the same chair, always facing east, working with the same pen and compass. Without preparatory sketches or predetermined plans, intricate geometric worlds emerge through repetition and concentrated attention. These drawings are less composed than received as micro-universes
structured through devotion, precision, and restraint. Geometry becomes a regulatory force, a pursuit of equilibrium enacted line by line.
Between 1927 and 1934, Fröbe-Kapteyn produced her “meditation drawings” as finely rendered screenprints, developed alongside her founding of the Eranos research centre in Ascona, Switzerland, conceived as a site of exchange between Eastern and Western philosophical traditions. Encouraged by Carl Jung, she assembled visual artefacts dedicated to archetypal symbolism, later forming the Archive for Research in Archetypal Symbolism (ARAS). Her interlacing circles, axial
symmetries, and proportional systems, often guided by the golden ratio, were conceived as contemplative psychic diagrams:symbolic time capsules that act as liminal thresholds for altered states of consciousness.
EXHIBITION RITUAL
TAKE YOUR CUP OF HERBAL TEA
CHOOSE AN ARTWORK YOU ARE DRAWN TO
SIT BEFORE IT IN SILENCE
SIP YOUR TEA
BREATHE
RECEIVE THE TRANSMISSION
REPEAT AS DESIRED
ᛈ ᚦ ᛞ
WITH OLGA FRÖBE-KAPTEYN AND DANIEL GONÇALVES
ANTENNA - Art as Transmission reimagines the exhibition space as a temple of attunement. Viewing is reframed as ritual, art as transmission and the viewer as receiver.
Bringing together the works of Portuguese artist Daniel Gonçalves and Dutch spiritualist Olga Fröbe-Kapteyn, the exhibition traces a shared commitment to image-making as a technology of alignment, where the image becomes a portal where psyche and cosmos converge. Across both practices, geometry functions as orientation. Circle, axis, ratio, and repetition are received as a visual codex that holds a unique frequency.
For the last decade, Gonçalves has maintained a rigorous nocturnal practice: seated in the same chair, always facing east, working with the same pen and compass. Without preparatory sketches or predetermined plans, intricate geometric worlds emerge through repetition and concentrated attention. These drawings are less composed than received as micro-universes
structured through devotion, precision, and restraint. Geometry becomes a regulatory force, a pursuit of equilibrium enacted line by line.
Between 1927 and 1934, Fröbe-Kapteyn produced her “meditation drawings” as finely rendered screenprints, developed alongside her founding of the Eranos research centre in Ascona, Switzerland, conceived as a site of exchange between Eastern and Western philosophical traditions. Encouraged by Carl Jung, she assembled visual artefacts dedicated to archetypal symbolism, later forming the Archive for Research in Archetypal Symbolism (ARAS). Her interlacing circles, axial
symmetries, and proportional systems, often guided by the golden ratio, were conceived as contemplative psychic diagrams:symbolic time capsules that act as liminal thresholds for altered states of consciousness.
EXHIBITION RITUAL
TAKE YOUR CUP OF HERBAL TEA
CHOOSE AN ARTWORK YOU ARE DRAWN TO
SIT BEFORE IT IN SILENCE
SIP YOUR TEA
BREATHE
RECEIVE THE TRANSMISSION
REPEAT AS DESIRED
ᛈ ᚦ ᛞ
ANTENNA - Art as Transmission reimagines the exhibition space as a temple of attunement. Viewing is reframed as ritual, art as transmission and the viewer as receiver.
Bringing together the works of Portuguese artist Daniel Gonçalves and Dutch spiritualist Olga Fröbe-Kapteyn, the exhibition traces a shared commitment to image-making as a technology of alignment, where the image becomes a portal where psyche and cosmos converge. Across both practices, geometry functions as orientation. Circle, axis, ratio, and repetition are received as a visual codex that holds a unique frequency.
For the last decade, Gonçalves has maintained a rigorous nocturnal practice: seated in the same chair, always facing east, working with the same pen and compass. Without preparatory sketches or predetermined plans, intricate geometric worlds emerge through repetition and concentrated attention. These drawings are less composed than received as micro-universes
structured through devotion, precision, and restraint. Geometry becomes a regulatory force, a pursuit of equilibrium enacted line by line.
Between 1927 and 1934, Fröbe-Kapteyn produced her “meditation drawings” as finely rendered screenprints, developed alongside her founding of the Eranos research centre in Ascona, Switzerland, conceived as a site of exchange between Eastern and Western philosophical traditions. Encouraged by Carl Jung, she assembled visual artefacts dedicated to archetypal symbolism, later forming the Archive for Research in Archetypal Symbolism (ARAS). Her interlacing circles, axial
symmetries, and proportional systems, often guided by the golden ratio, were conceived as contemplative psychic diagrams:symbolic time capsules that act as liminal thresholds for altered states of consciousness.
EXHIBITION RITUAL
TAKE YOUR CUP OF HERBAL TEA
CHOOSE AN ARTWORK YOU ARE DRAWN TO
SIT BEFORE IT IN SILENCE
SIP YOUR TEA
BREATHE
RECEIVE THE TRANSMISSION
REPEAT AS DESIRED
ᛈ ᚦ ᛞ
WITH OLGA FRÖBE-KAPTEYN AND DANIEL GONÇALVES
ANTENNA - Art as Transmission reimagines the exhibition space as a temple of attunement. Viewing is reframed as ritual, art as transmission and the viewer as receiver.
Bringing together the works of Portuguese artist Daniel Gonçalves and Dutch spiritualist Olga Fröbe-Kapteyn, the exhibition traces a shared commitment to image-making as a technology of alignment, where the image becomes a portal where psyche and cosmos converge. Across both practices, geometry functions as orientation. Circle, axis, ratio, and repetition are received as a visual codex that holds a unique frequency.
For the last decade, Gonçalves has maintained a rigorous nocturnal practice: seated in the same chair, always facing east, working with the same pen and compass. Without preparatory sketches or predetermined plans, intricate geometric worlds emerge through repetition and concentrated attention. These drawings are less composed than received as micro-universes
structured through devotion, precision, and restraint. Geometry becomes a regulatory force, a pursuit of equilibrium enacted line by line.
Between 1927 and 1934, Fröbe-Kapteyn produced her “meditation drawings” as finely rendered screenprints, developed alongside her founding of the Eranos research centre in Ascona, Switzerland, conceived as a site of exchange between Eastern and Western philosophical traditions. Encouraged by Carl Jung, she assembled visual artefacts dedicated to archetypal symbolism, later forming the Archive for Research in Archetypal Symbolism (ARAS). Her interlacing circles, axial
symmetries, and proportional systems, often guided by the golden ratio, were conceived as contemplative psychic diagrams:symbolic time capsules that act as liminal thresholds for altered states of consciousness.
EXHIBITION RITUAL
TAKE YOUR CUP OF HERBAL TEA
CHOOSE AN ARTWORK YOU ARE DRAWN TO
SIT BEFORE IT IN SILENCE
SIP YOUR TEA
BREATHE
RECEIVE THE TRANSMISSION
REPEAT AS DESIRED
ᛈ ᚦ ᛞ
ANTENNA - Art as Transmission reimagines the exhibition space as a temple of attunement. Viewing is reframed as ritual, art as transmission and the viewer as receiver.
Bringing together the works of Portuguese artist Daniel Gonçalves and Dutch spiritualist Olga Fröbe-Kapteyn, the exhibition traces a shared commitment to image-making as a technology of alignment, where the image becomes a portal where psyche and cosmos converge. Across both practices, geometry functions as orientation. Circle, axis, ratio, and repetition are received as a visual codex that holds a unique frequency.
For the last decade, Gonçalves has maintained a rigorous nocturnal practice: seated in the same chair, always facing east, working with the same pen and compass. Without preparatory sketches or predetermined plans, intricate geometric worlds emerge through repetition and concentrated attention. These drawings are less composed than received as micro-universes
structured through devotion, precision, and restraint. Geometry becomes a regulatory force, a pursuit of equilibrium enacted line by line.
Between 1927 and 1934, Fröbe-Kapteyn produced her “meditation drawings” as finely rendered screenprints, developed alongside her founding of the Eranos research centre in Ascona, Switzerland, conceived as a site of exchange between Eastern and Western philosophical traditions. Encouraged by Carl Jung, she assembled visual artefacts dedicated to archetypal symbolism, later forming the Archive for Research in Archetypal Symbolism (ARAS). Her interlacing circles, axial
symmetries, and proportional systems, often guided by the golden ratio, were conceived as contemplative psychic diagrams:symbolic time capsules that act as liminal thresholds for altered states of consciousness.
EXHIBITION RITUAL
TAKE YOUR CUP OF HERBAL TEA
CHOOSE AN ARTWORK YOU ARE DRAWN TO
SIT BEFORE IT IN SILENCE
SIP YOUR TEA
BREATHE
RECEIVE THE TRANSMISSION
REPEAT AS DESIRED
ᛈ ᚦ ᛞ