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BYย SEMANTICA

๐˜‹๐˜ณ๐˜ฆ๐˜ข๐˜ฎ๐˜ช๐˜ฏ๐˜จ ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜š๐˜ต๐˜ฐ๐˜ฏ๐˜ฆ๐˜ด is a ritual for more-than-human magic making. In the practice of social dreaming, dreams exist as independent entities with agency, seeking a dreamer to express themselves through. As dreams experience our reality, they materialise into being.

๐˜๐˜ฐ๐˜ด๐˜ด๐˜ช๐˜ญ๐˜ช๐˜ด๐˜ช๐˜ฏ๐˜จโ–‘๐˜ต๐˜ฉ๐˜ฐ๐˜ถ๐˜จ๐˜ฉ๐˜ตโ–‘๐˜ง๐˜ฐ๐˜ณ๐˜ฎ๐˜ด๏ผŒ๐˜ฎ๐˜ช๐˜ฏ๐˜ฆ๐˜ณ๐˜ข๐˜ญ๐˜ช๐˜ด๐˜ช๐˜ฏ๐˜จโ–‘๐˜ฎ๐˜ฆ๐˜ฎ๐˜ฐ๐˜ณ๐˜ช๐˜ฆ๐˜ด๏ผŒ๐˜ฑ๐˜ฆ๐˜ต๐˜ณ๐˜ช๐˜ง๐˜บ๐˜ช๐˜ฏ๐˜จโ–‘๐˜ฑ๐˜ญ๐˜ฆ๐˜ข๐˜ด๐˜ถ๐˜ณ๐˜ฆใ€€

Referencing the Tsukumogami - Japanese objects that become liberated and animated by spirit after 100 years of service - stones are formed from fossilised dreams created when dreams have visited dreamers for 10,000 years.

โ€

๐‘บ๐’†๐’…๐’Š๐’Ž๐’†๐’๐’•๐’” ๐’๐’‡ ๐’”๐’๐’–๐’

๐‘บ๐’๐’๐’˜๐’๐’š, ๐’”๐’๐’๐’˜๐’๐’š ๐’ƒ๐’†๐’„๐’๐’Ž๐’Š๐’๐’ˆ ๐’๐’‡ ๐’š๐’๐’–๐’“ ๐’˜๐’๐’“๐’๐’…

๐‘ด๐’†๐’•๐’‚๐’Ž๐’๐’“๐’‘๐’‰๐’Š๐’„

๐‘ฉ๐’†๐’‚๐’„๐’๐’๐’” ๐’๐’‡ ๐’ƒ๐’†๐’Š๐’๐’ˆ

๐‘จ๐’๐’•๐’†๐’๐’๐’‚๐’” ๐’‡๐’๐’“ ๐’๐’๐’†๐’Š๐’“๐’Š๐’„ ๐’”๐’๐’Š๐’๐’”

โ–กโ—‡โ–ก

๐‘ป๐’๐’๐’Š๐’ˆ๐’‰๐’•, ๐’˜๐’‰๐’†๐’ ๐’š๐’๐’– ๐’„๐’๐’๐’”๐’† ๐’š๐’๐’–๐’“ ๐’†๐’š๐’†๐’”

๐‘ฒ๐’๐’๐’˜ ๐’•๐’‰๐’‚๐’• ๐’˜๐’† ๐’”๐’•๐’‚๐’๐’… ๐’˜๐’Š๐’•๐’‰ ๐’š๐’๐’–

๐‘บ๐’†๐’†๐’Œ ๐’๐’–๐’• ๐’•๐’‰๐’† ๐’๐’•๐’‰๐’†๐’“ ๐’…๐’“๐’†๐’‚๐’Ž๐’†๐’“๐’” ๐’…๐’“๐’†๐’‚๐’Ž๐’Š๐’๐’ˆ ๐’š๐’๐’–

๐‘ณ๐’†๐’• ๐’•๐’‰๐’†๐’Ž ๐’ƒ๐’† ๐’Š๐’ ๐’š๐’๐’– ๐’‚๐’๐’… ๐’๐’‡ ๐’š๐’๐’–

๐‘ฐ๐’๐’—๐’Š๐’•๐’† ๐’•๐’‰๐’†๐’Š๐’“ ๐’ƒ๐’†๐’„๐’๐’Ž๐’Š๐’๐’ˆ

โ€

โ€

าœๅ‡ ใ„–ๅฑฑใ€€ใ„’ๅ„ๅ‚ใ„’ใ€€ใ„šใ„–ใ„ฉๅฐบใ€€ไนƒใ„–ๅ‡ ไน‡ไธ‚ใ€€ๅ‚ๅฐบไน‡ใ€€็ˆชๅ‚แ—ชไน‡ใ€€ใ„–ๅƒใ€€ไธ‚ใ„’ใ„–ๅ‡ ไน‡ไธ‚๏ผŽ
โ€

โ€

๐˜‹๐˜ณ๐˜ฆ๐˜ข๐˜ฎ๐˜ช๐˜ฏ๐˜จ ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜š๐˜ต๐˜ฐ๐˜ฏ๐˜ฆ๐˜ด is a ritual for more-than-human magic making. In the practice of social dreaming, dreams exist as independent entities with agency, seeking a dreamer to express themselves through. As dreams experience our reality, they materialise into being.

๐˜๐˜ฐ๐˜ด๐˜ด๐˜ช๐˜ญ๐˜ช๐˜ด๐˜ช๐˜ฏ๐˜จโ–‘๐˜ต๐˜ฉ๐˜ฐ๐˜ถ๐˜จ๐˜ฉ๐˜ตโ–‘๐˜ง๐˜ฐ๐˜ณ๐˜ฎ๐˜ด๏ผŒ๐˜ฎ๐˜ช๐˜ฏ๐˜ฆ๐˜ณ๐˜ข๐˜ญ๐˜ช๐˜ด๐˜ช๐˜ฏ๐˜จโ–‘๐˜ฎ๐˜ฆ๐˜ฎ๐˜ฐ๐˜ณ๐˜ช๐˜ฆ๐˜ด๏ผŒ๐˜ฑ๐˜ฆ๐˜ต๐˜ณ๐˜ช๐˜ง๐˜บ๐˜ช๐˜ฏ๐˜จโ–‘๐˜ฑ๐˜ญ๐˜ฆ๐˜ข๐˜ด๐˜ถ๐˜ณ๐˜ฆใ€€

Referencing the Tsukumogami - Japanese objects that become liberated and animated by spirit after 100 years of service - stones are formed from fossilised dreams created when dreams have visited dreamers for 10,000 years.

โ€

๐‘บ๐’†๐’…๐’Š๐’Ž๐’†๐’๐’•๐’” ๐’๐’‡ ๐’”๐’๐’–๐’

๐‘บ๐’๐’๐’˜๐’๐’š, ๐’”๐’๐’๐’˜๐’๐’š ๐’ƒ๐’†๐’„๐’๐’Ž๐’Š๐’๐’ˆ ๐’๐’‡ ๐’š๐’๐’–๐’“ ๐’˜๐’๐’“๐’๐’…

๐‘ด๐’†๐’•๐’‚๐’Ž๐’๐’“๐’‘๐’‰๐’Š๐’„

๐‘ฉ๐’†๐’‚๐’„๐’๐’๐’” ๐’๐’‡ ๐’ƒ๐’†๐’Š๐’๐’ˆ

๐‘จ๐’๐’•๐’†๐’๐’๐’‚๐’” ๐’‡๐’๐’“ ๐’๐’๐’†๐’Š๐’“๐’Š๐’„ ๐’”๐’๐’Š๐’๐’”

โ–กโ—‡โ–ก

๐‘ป๐’๐’๐’Š๐’ˆ๐’‰๐’•, ๐’˜๐’‰๐’†๐’ ๐’š๐’๐’– ๐’„๐’๐’๐’”๐’† ๐’š๐’๐’–๐’“ ๐’†๐’š๐’†๐’”

๐‘ฒ๐’๐’๐’˜ ๐’•๐’‰๐’‚๐’• ๐’˜๐’† ๐’”๐’•๐’‚๐’๐’… ๐’˜๐’Š๐’•๐’‰ ๐’š๐’๐’–

๐‘บ๐’†๐’†๐’Œ ๐’๐’–๐’• ๐’•๐’‰๐’† ๐’๐’•๐’‰๐’†๐’“ ๐’…๐’“๐’†๐’‚๐’Ž๐’†๐’“๐’” ๐’…๐’“๐’†๐’‚๐’Ž๐’Š๐’๐’ˆ ๐’š๐’๐’–

๐‘ณ๐’†๐’• ๐’•๐’‰๐’†๐’Ž ๐’ƒ๐’† ๐’Š๐’ ๐’š๐’๐’– ๐’‚๐’๐’… ๐’๐’‡ ๐’š๐’๐’–

๐‘ฐ๐’๐’—๐’Š๐’•๐’† ๐’•๐’‰๐’†๐’Š๐’“ ๐’ƒ๐’†๐’„๐’๐’Ž๐’Š๐’๐’ˆ

โ€

โ€

าœๅ‡ ใ„–ๅฑฑใ€€ใ„’ๅ„ๅ‚ใ„’ใ€€ใ„šใ„–ใ„ฉๅฐบใ€€ไนƒใ„–ๅ‡ ไน‡ไธ‚ใ€€ๅ‚ๅฐบไน‡ใ€€็ˆชๅ‚แ—ชไน‡ใ€€ใ„–ๅƒใ€€ไธ‚ใ„’ใ„–ๅ‡ ไน‡ไธ‚๏ผŽ
โ€

โ€

โ€
Sound: Spoken word and composition made from biodata frequencies and field recordings of volcanic rock pools and meteorite.
Main image: Callanish stones of the island of Lewis, Scotland.
Title image: Stanton Drew stone circle, Somerset.

Commissioned for Stone Club: The Secret Lives of Stones at the ICA, London

Concept, images, sound by Jemma Foster. Sound design by Juan Cortes. Video by Semantica. Semantica is an XR film and research lab by Jemma Foster and Camilla French.

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BYย SEMANTICA

๐˜‹๐˜ณ๐˜ฆ๐˜ข๐˜ฎ๐˜ช๐˜ฏ๐˜จ ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜š๐˜ต๐˜ฐ๐˜ฏ๐˜ฆ๐˜ด is a ritual for more-than-human magic making. In the practice of social dreaming, dreams exist as independent entities with agency, seeking a dreamer to express themselves through. As dreams experience our reality, they materialise into being.

๐˜๐˜ฐ๐˜ด๐˜ด๐˜ช๐˜ญ๐˜ช๐˜ด๐˜ช๐˜ฏ๐˜จโ–‘๐˜ต๐˜ฉ๐˜ฐ๐˜ถ๐˜จ๐˜ฉ๐˜ตโ–‘๐˜ง๐˜ฐ๐˜ณ๐˜ฎ๐˜ด๏ผŒ๐˜ฎ๐˜ช๐˜ฏ๐˜ฆ๐˜ณ๐˜ข๐˜ญ๐˜ช๐˜ด๐˜ช๐˜ฏ๐˜จโ–‘๐˜ฎ๐˜ฆ๐˜ฎ๐˜ฐ๐˜ณ๐˜ช๐˜ฆ๐˜ด๏ผŒ๐˜ฑ๐˜ฆ๐˜ต๐˜ณ๐˜ช๐˜ง๐˜บ๐˜ช๐˜ฏ๐˜จโ–‘๐˜ฑ๐˜ญ๐˜ฆ๐˜ข๐˜ด๐˜ถ๐˜ณ๐˜ฆใ€€

Referencing the Tsukumogami - Japanese objects that become liberated and animated by spirit after 100 years of service - stones are formed from fossilised dreams created when dreams have visited dreamers for 10,000 years.

โ€

๐‘บ๐’†๐’…๐’Š๐’Ž๐’†๐’๐’•๐’” ๐’๐’‡ ๐’”๐’๐’–๐’

๐‘บ๐’๐’๐’˜๐’๐’š, ๐’”๐’๐’๐’˜๐’๐’š ๐’ƒ๐’†๐’„๐’๐’Ž๐’Š๐’๐’ˆ ๐’๐’‡ ๐’š๐’๐’–๐’“ ๐’˜๐’๐’“๐’๐’…

๐‘ด๐’†๐’•๐’‚๐’Ž๐’๐’“๐’‘๐’‰๐’Š๐’„

๐‘ฉ๐’†๐’‚๐’„๐’๐’๐’” ๐’๐’‡ ๐’ƒ๐’†๐’Š๐’๐’ˆ

๐‘จ๐’๐’•๐’†๐’๐’๐’‚๐’” ๐’‡๐’๐’“ ๐’๐’๐’†๐’Š๐’“๐’Š๐’„ ๐’”๐’๐’Š๐’๐’”

โ–กโ—‡โ–ก

๐‘ป๐’๐’๐’Š๐’ˆ๐’‰๐’•, ๐’˜๐’‰๐’†๐’ ๐’š๐’๐’– ๐’„๐’๐’๐’”๐’† ๐’š๐’๐’–๐’“ ๐’†๐’š๐’†๐’”

๐‘ฒ๐’๐’๐’˜ ๐’•๐’‰๐’‚๐’• ๐’˜๐’† ๐’”๐’•๐’‚๐’๐’… ๐’˜๐’Š๐’•๐’‰ ๐’š๐’๐’–

๐‘บ๐’†๐’†๐’Œ ๐’๐’–๐’• ๐’•๐’‰๐’† ๐’๐’•๐’‰๐’†๐’“ ๐’…๐’“๐’†๐’‚๐’Ž๐’†๐’“๐’” ๐’…๐’“๐’†๐’‚๐’Ž๐’Š๐’๐’ˆ ๐’š๐’๐’–

๐‘ณ๐’†๐’• ๐’•๐’‰๐’†๐’Ž ๐’ƒ๐’† ๐’Š๐’ ๐’š๐’๐’– ๐’‚๐’๐’… ๐’๐’‡ ๐’š๐’๐’–

๐‘ฐ๐’๐’—๐’Š๐’•๐’† ๐’•๐’‰๐’†๐’Š๐’“ ๐’ƒ๐’†๐’„๐’๐’Ž๐’Š๐’๐’ˆ

โ€

โ€

าœๅ‡ ใ„–ๅฑฑใ€€ใ„’ๅ„ๅ‚ใ„’ใ€€ใ„šใ„–ใ„ฉๅฐบใ€€ไนƒใ„–ๅ‡ ไน‡ไธ‚ใ€€ๅ‚ๅฐบไน‡ใ€€็ˆชๅ‚แ—ชไน‡ใ€€ใ„–ๅƒใ€€ไธ‚ใ„’ใ„–ๅ‡ ไน‡ไธ‚๏ผŽ
โ€

โ€

๐˜‹๐˜ณ๐˜ฆ๐˜ข๐˜ฎ๐˜ช๐˜ฏ๐˜จ ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜š๐˜ต๐˜ฐ๐˜ฏ๐˜ฆ๐˜ด is a ritual for more-than-human magic making. In the practice of social dreaming, dreams exist as independent entities with agency, seeking a dreamer to express themselves through. As dreams experience our reality, they materialise into being.

๐˜๐˜ฐ๐˜ด๐˜ด๐˜ช๐˜ญ๐˜ช๐˜ด๐˜ช๐˜ฏ๐˜จโ–‘๐˜ต๐˜ฉ๐˜ฐ๐˜ถ๐˜จ๐˜ฉ๐˜ตโ–‘๐˜ง๐˜ฐ๐˜ณ๐˜ฎ๐˜ด๏ผŒ๐˜ฎ๐˜ช๐˜ฏ๐˜ฆ๐˜ณ๐˜ข๐˜ญ๐˜ช๐˜ด๐˜ช๐˜ฏ๐˜จโ–‘๐˜ฎ๐˜ฆ๐˜ฎ๐˜ฐ๐˜ณ๐˜ช๐˜ฆ๐˜ด๏ผŒ๐˜ฑ๐˜ฆ๐˜ต๐˜ณ๐˜ช๐˜ง๐˜บ๐˜ช๐˜ฏ๐˜จโ–‘๐˜ฑ๐˜ญ๐˜ฆ๐˜ข๐˜ด๐˜ถ๐˜ณ๐˜ฆใ€€

Referencing the Tsukumogami - Japanese objects that become liberated and animated by spirit after 100 years of service - stones are formed from fossilised dreams created when dreams have visited dreamers for 10,000 years.

โ€

๐‘บ๐’†๐’…๐’Š๐’Ž๐’†๐’๐’•๐’” ๐’๐’‡ ๐’”๐’๐’–๐’

๐‘บ๐’๐’๐’˜๐’๐’š, ๐’”๐’๐’๐’˜๐’๐’š ๐’ƒ๐’†๐’„๐’๐’Ž๐’Š๐’๐’ˆ ๐’๐’‡ ๐’š๐’๐’–๐’“ ๐’˜๐’๐’“๐’๐’…

๐‘ด๐’†๐’•๐’‚๐’Ž๐’๐’“๐’‘๐’‰๐’Š๐’„

๐‘ฉ๐’†๐’‚๐’„๐’๐’๐’” ๐’๐’‡ ๐’ƒ๐’†๐’Š๐’๐’ˆ

๐‘จ๐’๐’•๐’†๐’๐’๐’‚๐’” ๐’‡๐’๐’“ ๐’๐’๐’†๐’Š๐’“๐’Š๐’„ ๐’”๐’๐’Š๐’๐’”

โ–กโ—‡โ–ก

๐‘ป๐’๐’๐’Š๐’ˆ๐’‰๐’•, ๐’˜๐’‰๐’†๐’ ๐’š๐’๐’– ๐’„๐’๐’๐’”๐’† ๐’š๐’๐’–๐’“ ๐’†๐’š๐’†๐’”

๐‘ฒ๐’๐’๐’˜ ๐’•๐’‰๐’‚๐’• ๐’˜๐’† ๐’”๐’•๐’‚๐’๐’… ๐’˜๐’Š๐’•๐’‰ ๐’š๐’๐’–

๐‘บ๐’†๐’†๐’Œ ๐’๐’–๐’• ๐’•๐’‰๐’† ๐’๐’•๐’‰๐’†๐’“ ๐’…๐’“๐’†๐’‚๐’Ž๐’†๐’“๐’” ๐’…๐’“๐’†๐’‚๐’Ž๐’Š๐’๐’ˆ ๐’š๐’๐’–

๐‘ณ๐’†๐’• ๐’•๐’‰๐’†๐’Ž ๐’ƒ๐’† ๐’Š๐’ ๐’š๐’๐’– ๐’‚๐’๐’… ๐’๐’‡ ๐’š๐’๐’–

๐‘ฐ๐’๐’—๐’Š๐’•๐’† ๐’•๐’‰๐’†๐’Š๐’“ ๐’ƒ๐’†๐’„๐’๐’Ž๐’Š๐’๐’ˆ

โ€

โ€

าœๅ‡ ใ„–ๅฑฑใ€€ใ„’ๅ„ๅ‚ใ„’ใ€€ใ„šใ„–ใ„ฉๅฐบใ€€ไนƒใ„–ๅ‡ ไน‡ไธ‚ใ€€ๅ‚ๅฐบไน‡ใ€€็ˆชๅ‚แ—ชไน‡ใ€€ใ„–ๅƒใ€€ไธ‚ใ„’ใ„–ๅ‡ ไน‡ไธ‚๏ผŽ
โ€

โ€

No items found.

โ€
Sound: Spoken word and composition made from biodata frequencies and field recordings of volcanic rock pools and meteorite.
Main image: Callanish stones of the island of Lewis, Scotland.
Title image: Stanton Drew stone circle, Somerset.

Commissioned for Stone Club: The Secret Lives of Stones at the ICA, London

Concept, images, sound by Jemma Foster. Sound design by Juan Cortes. Video by Semantica. Semantica is an XR film and research lab by Jemma Foster and Camilla French.

download filedownload filedownload filedownload filedownload file

BYย SEMANTICA

๐˜‹๐˜ณ๐˜ฆ๐˜ข๐˜ฎ๐˜ช๐˜ฏ๐˜จ ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜š๐˜ต๐˜ฐ๐˜ฏ๐˜ฆ๐˜ด is a ritual for more-than-human magic making. In the practice of social dreaming, dreams exist as independent entities with agency, seeking a dreamer to express themselves through. As dreams experience our reality, they materialise into being.

๐˜๐˜ฐ๐˜ด๐˜ด๐˜ช๐˜ญ๐˜ช๐˜ด๐˜ช๐˜ฏ๐˜จโ–‘๐˜ต๐˜ฉ๐˜ฐ๐˜ถ๐˜จ๐˜ฉ๐˜ตโ–‘๐˜ง๐˜ฐ๐˜ณ๐˜ฎ๐˜ด๏ผŒ๐˜ฎ๐˜ช๐˜ฏ๐˜ฆ๐˜ณ๐˜ข๐˜ญ๐˜ช๐˜ด๐˜ช๐˜ฏ๐˜จโ–‘๐˜ฎ๐˜ฆ๐˜ฎ๐˜ฐ๐˜ณ๐˜ช๐˜ฆ๐˜ด๏ผŒ๐˜ฑ๐˜ฆ๐˜ต๐˜ณ๐˜ช๐˜ง๐˜บ๐˜ช๐˜ฏ๐˜จโ–‘๐˜ฑ๐˜ญ๐˜ฆ๐˜ข๐˜ด๐˜ถ๐˜ณ๐˜ฆใ€€

Referencing the Tsukumogami - Japanese objects that become liberated and animated by spirit after 100 years of service - stones are formed from fossilised dreams created when dreams have visited dreamers for 10,000 years.

โ€

๐‘บ๐’†๐’…๐’Š๐’Ž๐’†๐’๐’•๐’” ๐’๐’‡ ๐’”๐’๐’–๐’

๐‘บ๐’๐’๐’˜๐’๐’š, ๐’”๐’๐’๐’˜๐’๐’š ๐’ƒ๐’†๐’„๐’๐’Ž๐’Š๐’๐’ˆ ๐’๐’‡ ๐’š๐’๐’–๐’“ ๐’˜๐’๐’“๐’๐’…

๐‘ด๐’†๐’•๐’‚๐’Ž๐’๐’“๐’‘๐’‰๐’Š๐’„

๐‘ฉ๐’†๐’‚๐’„๐’๐’๐’” ๐’๐’‡ ๐’ƒ๐’†๐’Š๐’๐’ˆ

๐‘จ๐’๐’•๐’†๐’๐’๐’‚๐’” ๐’‡๐’๐’“ ๐’๐’๐’†๐’Š๐’“๐’Š๐’„ ๐’”๐’๐’Š๐’๐’”

โ–กโ—‡โ–ก

๐‘ป๐’๐’๐’Š๐’ˆ๐’‰๐’•, ๐’˜๐’‰๐’†๐’ ๐’š๐’๐’– ๐’„๐’๐’๐’”๐’† ๐’š๐’๐’–๐’“ ๐’†๐’š๐’†๐’”

๐‘ฒ๐’๐’๐’˜ ๐’•๐’‰๐’‚๐’• ๐’˜๐’† ๐’”๐’•๐’‚๐’๐’… ๐’˜๐’Š๐’•๐’‰ ๐’š๐’๐’–

๐‘บ๐’†๐’†๐’Œ ๐’๐’–๐’• ๐’•๐’‰๐’† ๐’๐’•๐’‰๐’†๐’“ ๐’…๐’“๐’†๐’‚๐’Ž๐’†๐’“๐’” ๐’…๐’“๐’†๐’‚๐’Ž๐’Š๐’๐’ˆ ๐’š๐’๐’–

๐‘ณ๐’†๐’• ๐’•๐’‰๐’†๐’Ž ๐’ƒ๐’† ๐’Š๐’ ๐’š๐’๐’– ๐’‚๐’๐’… ๐’๐’‡ ๐’š๐’๐’–

๐‘ฐ๐’๐’—๐’Š๐’•๐’† ๐’•๐’‰๐’†๐’Š๐’“ ๐’ƒ๐’†๐’„๐’๐’Ž๐’Š๐’๐’ˆ

โ€

โ€

าœๅ‡ ใ„–ๅฑฑใ€€ใ„’ๅ„ๅ‚ใ„’ใ€€ใ„šใ„–ใ„ฉๅฐบใ€€ไนƒใ„–ๅ‡ ไน‡ไธ‚ใ€€ๅ‚ๅฐบไน‡ใ€€็ˆชๅ‚แ—ชไน‡ใ€€ใ„–ๅƒใ€€ไธ‚ใ„’ใ„–ๅ‡ ไน‡ไธ‚๏ผŽ
โ€

โ€

๐˜‹๐˜ณ๐˜ฆ๐˜ข๐˜ฎ๐˜ช๐˜ฏ๐˜จ ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜š๐˜ต๐˜ฐ๐˜ฏ๐˜ฆ๐˜ด is a ritual for more-than-human magic making. In the practice of social dreaming, dreams exist as independent entities with agency, seeking a dreamer to express themselves through. As dreams experience our reality, they materialise into being.

๐˜๐˜ฐ๐˜ด๐˜ด๐˜ช๐˜ญ๐˜ช๐˜ด๐˜ช๐˜ฏ๐˜จโ–‘๐˜ต๐˜ฉ๐˜ฐ๐˜ถ๐˜จ๐˜ฉ๐˜ตโ–‘๐˜ง๐˜ฐ๐˜ณ๐˜ฎ๐˜ด๏ผŒ๐˜ฎ๐˜ช๐˜ฏ๐˜ฆ๐˜ณ๐˜ข๐˜ญ๐˜ช๐˜ด๐˜ช๐˜ฏ๐˜จโ–‘๐˜ฎ๐˜ฆ๐˜ฎ๐˜ฐ๐˜ณ๐˜ช๐˜ฆ๐˜ด๏ผŒ๐˜ฑ๐˜ฆ๐˜ต๐˜ณ๐˜ช๐˜ง๐˜บ๐˜ช๐˜ฏ๐˜จโ–‘๐˜ฑ๐˜ญ๐˜ฆ๐˜ข๐˜ด๐˜ถ๐˜ณ๐˜ฆใ€€

Referencing the Tsukumogami - Japanese objects that become liberated and animated by spirit after 100 years of service - stones are formed from fossilised dreams created when dreams have visited dreamers for 10,000 years.

โ€

๐‘บ๐’†๐’…๐’Š๐’Ž๐’†๐’๐’•๐’” ๐’๐’‡ ๐’”๐’๐’–๐’

๐‘บ๐’๐’๐’˜๐’๐’š, ๐’”๐’๐’๐’˜๐’๐’š ๐’ƒ๐’†๐’„๐’๐’Ž๐’Š๐’๐’ˆ ๐’๐’‡ ๐’š๐’๐’–๐’“ ๐’˜๐’๐’“๐’๐’…

๐‘ด๐’†๐’•๐’‚๐’Ž๐’๐’“๐’‘๐’‰๐’Š๐’„

๐‘ฉ๐’†๐’‚๐’„๐’๐’๐’” ๐’๐’‡ ๐’ƒ๐’†๐’Š๐’๐’ˆ

๐‘จ๐’๐’•๐’†๐’๐’๐’‚๐’” ๐’‡๐’๐’“ ๐’๐’๐’†๐’Š๐’“๐’Š๐’„ ๐’”๐’๐’Š๐’๐’”

โ–กโ—‡โ–ก

๐‘ป๐’๐’๐’Š๐’ˆ๐’‰๐’•, ๐’˜๐’‰๐’†๐’ ๐’š๐’๐’– ๐’„๐’๐’๐’”๐’† ๐’š๐’๐’–๐’“ ๐’†๐’š๐’†๐’”

๐‘ฒ๐’๐’๐’˜ ๐’•๐’‰๐’‚๐’• ๐’˜๐’† ๐’”๐’•๐’‚๐’๐’… ๐’˜๐’Š๐’•๐’‰ ๐’š๐’๐’–

๐‘บ๐’†๐’†๐’Œ ๐’๐’–๐’• ๐’•๐’‰๐’† ๐’๐’•๐’‰๐’†๐’“ ๐’…๐’“๐’†๐’‚๐’Ž๐’†๐’“๐’” ๐’…๐’“๐’†๐’‚๐’Ž๐’Š๐’๐’ˆ ๐’š๐’๐’–

๐‘ณ๐’†๐’• ๐’•๐’‰๐’†๐’Ž ๐’ƒ๐’† ๐’Š๐’ ๐’š๐’๐’– ๐’‚๐’๐’… ๐’๐’‡ ๐’š๐’๐’–

๐‘ฐ๐’๐’—๐’Š๐’•๐’† ๐’•๐’‰๐’†๐’Š๐’“ ๐’ƒ๐’†๐’„๐’๐’Ž๐’Š๐’๐’ˆ

โ€

โ€

าœๅ‡ ใ„–ๅฑฑใ€€ใ„’ๅ„ๅ‚ใ„’ใ€€ใ„šใ„–ใ„ฉๅฐบใ€€ไนƒใ„–ๅ‡ ไน‡ไธ‚ใ€€ๅ‚ๅฐบไน‡ใ€€็ˆชๅ‚แ—ชไน‡ใ€€ใ„–ๅƒใ€€ไธ‚ใ„’ใ„–ๅ‡ ไน‡ไธ‚๏ผŽ
โ€

โ€

No items found.

โ€
Sound: Spoken word and composition made from biodata frequencies and field recordings of volcanic rock pools and meteorite.
Main image: Callanish stones of the island of Lewis, Scotland.
Title image: Stanton Drew stone circle, Somerset.

Commissioned for Stone Club: The Secret Lives of Stones at the ICA, London

Concept, images, sound by Jemma Foster. Sound design by Juan Cortes. Video by Semantica. Semantica is an XR film and research lab by Jemma Foster and Camilla French.

download filedownload filedownload filedownload filedownload file

BYย SEMANTICA

๐˜‹๐˜ณ๐˜ฆ๐˜ข๐˜ฎ๐˜ช๐˜ฏ๐˜จ ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜š๐˜ต๐˜ฐ๐˜ฏ๐˜ฆ๐˜ด is a ritual for more-than-human magic making. In the practice of social dreaming, dreams exist as independent entities with agency, seeking a dreamer to express themselves through. As dreams experience our reality, they materialise into being.

๐˜๐˜ฐ๐˜ด๐˜ด๐˜ช๐˜ญ๐˜ช๐˜ด๐˜ช๐˜ฏ๐˜จโ–‘๐˜ต๐˜ฉ๐˜ฐ๐˜ถ๐˜จ๐˜ฉ๐˜ตโ–‘๐˜ง๐˜ฐ๐˜ณ๐˜ฎ๐˜ด๏ผŒ๐˜ฎ๐˜ช๐˜ฏ๐˜ฆ๐˜ณ๐˜ข๐˜ญ๐˜ช๐˜ด๐˜ช๐˜ฏ๐˜จโ–‘๐˜ฎ๐˜ฆ๐˜ฎ๐˜ฐ๐˜ณ๐˜ช๐˜ฆ๐˜ด๏ผŒ๐˜ฑ๐˜ฆ๐˜ต๐˜ณ๐˜ช๐˜ง๐˜บ๐˜ช๐˜ฏ๐˜จโ–‘๐˜ฑ๐˜ญ๐˜ฆ๐˜ข๐˜ด๐˜ถ๐˜ณ๐˜ฆใ€€

Referencing the Tsukumogami - Japanese objects that become liberated and animated by spirit after 100 years of service - stones are formed from fossilised dreams created when dreams have visited dreamers for 10,000 years.

โ€

๐‘บ๐’†๐’…๐’Š๐’Ž๐’†๐’๐’•๐’” ๐’๐’‡ ๐’”๐’๐’–๐’

๐‘บ๐’๐’๐’˜๐’๐’š, ๐’”๐’๐’๐’˜๐’๐’š ๐’ƒ๐’†๐’„๐’๐’Ž๐’Š๐’๐’ˆ ๐’๐’‡ ๐’š๐’๐’–๐’“ ๐’˜๐’๐’“๐’๐’…

๐‘ด๐’†๐’•๐’‚๐’Ž๐’๐’“๐’‘๐’‰๐’Š๐’„

๐‘ฉ๐’†๐’‚๐’„๐’๐’๐’” ๐’๐’‡ ๐’ƒ๐’†๐’Š๐’๐’ˆ

๐‘จ๐’๐’•๐’†๐’๐’๐’‚๐’” ๐’‡๐’๐’“ ๐’๐’๐’†๐’Š๐’“๐’Š๐’„ ๐’”๐’๐’Š๐’๐’”

โ–กโ—‡โ–ก

๐‘ป๐’๐’๐’Š๐’ˆ๐’‰๐’•, ๐’˜๐’‰๐’†๐’ ๐’š๐’๐’– ๐’„๐’๐’๐’”๐’† ๐’š๐’๐’–๐’“ ๐’†๐’š๐’†๐’”

๐‘ฒ๐’๐’๐’˜ ๐’•๐’‰๐’‚๐’• ๐’˜๐’† ๐’”๐’•๐’‚๐’๐’… ๐’˜๐’Š๐’•๐’‰ ๐’š๐’๐’–

๐‘บ๐’†๐’†๐’Œ ๐’๐’–๐’• ๐’•๐’‰๐’† ๐’๐’•๐’‰๐’†๐’“ ๐’…๐’“๐’†๐’‚๐’Ž๐’†๐’“๐’” ๐’…๐’“๐’†๐’‚๐’Ž๐’Š๐’๐’ˆ ๐’š๐’๐’–

๐‘ณ๐’†๐’• ๐’•๐’‰๐’†๐’Ž ๐’ƒ๐’† ๐’Š๐’ ๐’š๐’๐’– ๐’‚๐’๐’… ๐’๐’‡ ๐’š๐’๐’–

๐‘ฐ๐’๐’—๐’Š๐’•๐’† ๐’•๐’‰๐’†๐’Š๐’“ ๐’ƒ๐’†๐’„๐’๐’Ž๐’Š๐’๐’ˆ

โ€

โ€

าœๅ‡ ใ„–ๅฑฑใ€€ใ„’ๅ„ๅ‚ใ„’ใ€€ใ„šใ„–ใ„ฉๅฐบใ€€ไนƒใ„–ๅ‡ ไน‡ไธ‚ใ€€ๅ‚ๅฐบไน‡ใ€€็ˆชๅ‚แ—ชไน‡ใ€€ใ„–ๅƒใ€€ไธ‚ใ„’ใ„–ๅ‡ ไน‡ไธ‚๏ผŽ
โ€

โ€

๐˜‹๐˜ณ๐˜ฆ๐˜ข๐˜ฎ๐˜ช๐˜ฏ๐˜จ ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜š๐˜ต๐˜ฐ๐˜ฏ๐˜ฆ๐˜ด is a ritual for more-than-human magic making. In the practice of social dreaming, dreams exist as independent entities with agency, seeking a dreamer to express themselves through. As dreams experience our reality, they materialise into being.

๐˜๐˜ฐ๐˜ด๐˜ด๐˜ช๐˜ญ๐˜ช๐˜ด๐˜ช๐˜ฏ๐˜จโ–‘๐˜ต๐˜ฉ๐˜ฐ๐˜ถ๐˜จ๐˜ฉ๐˜ตโ–‘๐˜ง๐˜ฐ๐˜ณ๐˜ฎ๐˜ด๏ผŒ๐˜ฎ๐˜ช๐˜ฏ๐˜ฆ๐˜ณ๐˜ข๐˜ญ๐˜ช๐˜ด๐˜ช๐˜ฏ๐˜จโ–‘๐˜ฎ๐˜ฆ๐˜ฎ๐˜ฐ๐˜ณ๐˜ช๐˜ฆ๐˜ด๏ผŒ๐˜ฑ๐˜ฆ๐˜ต๐˜ณ๐˜ช๐˜ง๐˜บ๐˜ช๐˜ฏ๐˜จโ–‘๐˜ฑ๐˜ญ๐˜ฆ๐˜ข๐˜ด๐˜ถ๐˜ณ๐˜ฆใ€€

Referencing the Tsukumogami - Japanese objects that become liberated and animated by spirit after 100 years of service - stones are formed from fossilised dreams created when dreams have visited dreamers for 10,000 years.

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๐‘บ๐’†๐’…๐’Š๐’Ž๐’†๐’๐’•๐’” ๐’๐’‡ ๐’”๐’๐’–๐’

๐‘บ๐’๐’๐’˜๐’๐’š, ๐’”๐’๐’๐’˜๐’๐’š ๐’ƒ๐’†๐’„๐’๐’Ž๐’Š๐’๐’ˆ ๐’๐’‡ ๐’š๐’๐’–๐’“ ๐’˜๐’๐’“๐’๐’…

๐‘ด๐’†๐’•๐’‚๐’Ž๐’๐’“๐’‘๐’‰๐’Š๐’„

๐‘ฉ๐’†๐’‚๐’„๐’๐’๐’” ๐’๐’‡ ๐’ƒ๐’†๐’Š๐’๐’ˆ

๐‘จ๐’๐’•๐’†๐’๐’๐’‚๐’” ๐’‡๐’๐’“ ๐’๐’๐’†๐’Š๐’“๐’Š๐’„ ๐’”๐’๐’Š๐’๐’”

โ–กโ—‡โ–ก

๐‘ป๐’๐’๐’Š๐’ˆ๐’‰๐’•, ๐’˜๐’‰๐’†๐’ ๐’š๐’๐’– ๐’„๐’๐’๐’”๐’† ๐’š๐’๐’–๐’“ ๐’†๐’š๐’†๐’”

๐‘ฒ๐’๐’๐’˜ ๐’•๐’‰๐’‚๐’• ๐’˜๐’† ๐’”๐’•๐’‚๐’๐’… ๐’˜๐’Š๐’•๐’‰ ๐’š๐’๐’–

๐‘บ๐’†๐’†๐’Œ ๐’๐’–๐’• ๐’•๐’‰๐’† ๐’๐’•๐’‰๐’†๐’“ ๐’…๐’“๐’†๐’‚๐’Ž๐’†๐’“๐’” ๐’…๐’“๐’†๐’‚๐’Ž๐’Š๐’๐’ˆ ๐’š๐’๐’–

๐‘ณ๐’†๐’• ๐’•๐’‰๐’†๐’Ž ๐’ƒ๐’† ๐’Š๐’ ๐’š๐’๐’– ๐’‚๐’๐’… ๐’๐’‡ ๐’š๐’๐’–

๐‘ฐ๐’๐’—๐’Š๐’•๐’† ๐’•๐’‰๐’†๐’Š๐’“ ๐’ƒ๐’†๐’„๐’๐’Ž๐’Š๐’๐’ˆ

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าœๅ‡ ใ„–ๅฑฑใ€€ใ„’ๅ„ๅ‚ใ„’ใ€€ใ„šใ„–ใ„ฉๅฐบใ€€ไนƒใ„–ๅ‡ ไน‡ไธ‚ใ€€ๅ‚ๅฐบไน‡ใ€€็ˆชๅ‚แ—ชไน‡ใ€€ใ„–ๅƒใ€€ไธ‚ใ„’ใ„–ๅ‡ ไน‡ไธ‚๏ผŽ
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Sound: Spoken word and composition made from biodata frequencies and field recordings of volcanic rock pools and meteorite.
Main image: Callanish stones of the island of Lewis, Scotland.
Title image: Stanton Drew stone circle, Somerset.

Commissioned for Stone Club: The Secret Lives of Stones at the ICA, London

Concept, images, sound by Jemma Foster. Sound design by Juan Cortes. Video by Semantica. Semantica is an XR film and research lab by Jemma Foster and Camilla French.

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